Friday, September 24, 2010
8th October.
interview questions.
- Tell me about how and when you lost your sight?
- How did you adjust to losing your sight?
- Are you happy with the amout of help and support you have recieved?
- What happens at your hospital check ups?
- How has it effected your daily life?
- How have you changed your surroundings to accommodate your loss of sight?
- Do you miss anything about being able to see? (if appropriate).
- What do you enjoy doing in your spare time?
- Do you have any gadgets or technologies to make your life easier?
- What would make you life easier and better?
- Do you think a guide dog would be benificial?
- Are there any benifits of losing your sight?
- Talking books?
- What made you want to train guide dogs?
- How did you get into training guide dogs and was it difficult?
- Tell me about the training you, yourself, have to go through?
- When did you get your first guide dog?
- How long do you keep the guide dog for?
- Is guide dog training your primary career?
- How many guide dogs have you trained?
- Do you know anyone who is blind and who uses a guide dog?
- Can any dog be trained to be a guide dog?
- Do you find training guide dogs rewarding?
- What made you want to train guide dogs?
- How did you get into training guide dogs and was it difficult?
- Tell me about the training you, yourself, have to go through?
- When did you get your first guide dog?
- How long do you keep the guide dog for?
- Is guide dog training your primary career?
- How many guide dogs have you trained?
- Tell me about theprocess of training of a dog?
- Do you have to train the owner?
- Can anyone be trained to train a guide dog?
- Do you find training a guide dog rewing?
- Tell us about the guide dog assocation?
Primary research - Interviews.
- Margret Ross who is partially blind and deaf. We will be interviewing her about what it is like being blind and how she manages.Margret will be interviewed in her house, sitting in 'her chair' in her living room. This is because this is where Margret is most comfortable.
- Lennie and Lyn who train guide dogs. We will be asking them questions such as what they do to train the dogs, how long they have them, how difficult/ rewarding it is. We will also be interviewing Lennie and Lyn in their house - as this is where the training takes place. (If they are training a dog at the point of the interview then we will film the training of the dogs to use as archive.)
- Indian restaurant owner in his restaurant talking about which curry's people order most and which curry they prefer.
- Sensory garden worker with the sensory garden as a back ground. We will ask them about what it is like to work in a sensory garden & what qualifications are needs.
- People who played the blind fold game at the table they played it on. We will ask them about the task and how they found it.
- Interview with Margret Wright about being deaf. The location of her interview will be in her home.
- Interview with a hearing dog trainer. We will interview them in the environment in which they train the dogs and will ask them about the dogs and how they train them.
Running order. 6th October.
Vox pop – ask questions about senses (only show the answers).
20 Seconds.
5 questions about the 5 sense (white writing) Zoom into the 5 senses as the questions appear.
20 Seconds (each sense 4 seconds).
Black background and creative text with features of purple which was the most popular colour & how much do we depend on our senses?
5 Seconds.
Close up of a lot of hands (touch) Voice over introducing topic.
4 Seconds.
Medium close up of someone sneezing.
4 Seconds.
Extreme close up of eyes (eyes and glasses) track along multiple eyes.
4 Seconds.
POV of food.
4 Seconds.
Mid shot of someone putting in a hearing.
4 Seconds.
POV down street – looking around surroundings, goes black, keep street sound & the interviewee voice.
30 Seconds.
Interview with Margret where she tells where she tells us about being blind.
1 Minute.
Blind fold someone showing them getting around a room. Margret’s interview over it telling us how hard it is to be blind and how hard it is to get around.
1 Minute.
Interview with Lennie and Lyn talking about training guide dogs.
2 Minutes.
Guide dog stories in the papers piling on top of each other. Birds eye view. Have a dog come in and sniff the paper.
30 Seconds.
Vox pop of favourite and worst taste.
15 Seconds.
Cut to an interview about curry and cut between pictures of the curry as he says it.
1 Minute 30 Seconds.
Clip of big brother chilli tasting with voice over about dangers of eating chilli’s and how to cool the taste.
1 Minutes.
Chilli on a chopping board – cutting between chilli being cut until it disappears.
15 Seconds.
The king is dead clip of Dappy unable to use his hands.
30 Seconds.
Statistic of “9 out of 30 people said they could live without touch”.
4 Seconds.
Blind game with different angles and count down tune.
30 Seconds.
Cut between answers.
10 Seconds.
Questioning of each person about how hard they found it.
2 Minutes (30 seconds for each person).
Vox pop of sound (favourite or worst).
15 Seconds.
Interview with a drummer.
1 Minute.
Concert footage.
15 Seconds.
Film ipods with voice over including statistics (“The most frequent volume of an mp3 player is 75%”). Information about headphones.
30 Seconds.
Close up of hearing aid changing settings.
10 Seconds.
Interview with a hearing dog trainer.
1 Minute.
Clip of a hearing dog working with a voice over.
1 Minute.
Vox pop of favourite and worst smell.
15 Seconds.
Interview with somebody who works in a sensory garden.
1 Minute.
POV hand held showing sensory garden.
1 Minute.
Guess the smell and interview about game.
2 Minutes.
Statistics over the picture of the smell.
30 Seconds.
Black background with creative writing.
20 Seconds.
Establishing sensory images with credits over.
20 Seconds.
Target audience research.
Female: 22.
This shows that most of the people who did the questionairre where female. Therefore, are programme will be aimed towards mostly females.
16. What is your favourite sense?
Small teen, big world - BBC1.
- Self reflictive.
- Disability.
- Acceptance.
- Individuuality.
- Relationship.
- Health.
- Closed narrative structure.
- Non-linear.
- Video footage of the mum aged 30.
- CU of face.
- 2 shot of mum and daughter (Jasmine).
- Fast pan around Jasmine.
- Establishing shot of New York.
- Establishing shot of the beech in low angle.
- MCU of friends sitting on the rocks.
- CU of feet.
- 2 shot high angle.
- P.O.V of the crowd of convention.
- Establishing shot of 'The Marriott'.
- Stockfootage of the festival.
- CU of the mum and Jasmine.
- CU of face massages.
- ECU of candle.
- CU interview with social worker.
- Pinky red tint - Love? Slow motion shot.
- Music in background.
- Jasmine - voice over at beginning.
- Music - 'New York' anchors the establishing shots.
- Cuts.
- Fastmotion - In the garden to Jasmine.
- Fade from the beech to hairsacon.
- Flashbacks.
- Slowmotion - Holding a cup.
- Crosscutting - Girls in spa chairs.
9/11 - After the towers fell documentary.
Mixed.
Themes.
Terrorism.
Fight for Survival.
How peoples lives changed.
Narrative Structure.
Linear.
Closed narrative structure.
Single strand.
Camerawork.
Interviews - MCU, CU, framed right or left of screen, eyeline 1/3 way down the screen.
Birds eye view of skyline.
Tilt shot up the towers.
Handheld camera - most used because people recorded it as it happened.
Panning shot.
Zoom out of buildings.
Zoom into still images.
Tracking shot of rubble.
Wide shot of firefighters.
POV shot.
CU of firefighters badge.
Long shot of empty streets filled with rubbish.
Two shot of two firefighters.
Mise-en-scene.
Fireengines.
Firefighters.
Police.
Cameras.
Background of interview -grey.
Sound.
Voice over - male, standard english and calm.
Screams.
Phonecalls.
Music in the background.
Messages off the radio.
Editing.
Writing dissolve off screen.
Cut - different people running and screaming.
Re-construction.
Archive Material.
Radio messages.
News shows audio.
Footage of towers falling.
Graphics
Translation of audio - serif, white and yellow font.
Interview - name and title- serif and bold.
Time, date and where they are - white font, serif and bold.
TV scheduling.
- Breakfast.
- Daytime.
- Childs.
- Peaktime (family) 7pm - 9pm.
- Adults 9pm.
- Catering for a spread of audiences. Depending on each channel.
- Homemakers, unemployed, students.
- Children.
- Family.
- Adults.
- News.
- Soap operas.
- Sitcoms.
- Game shows.
- Films.
- Reality shows.
- Dramas.
- BBC1 - everyone ( mass broadcasting). Direct competatives with ITV1.
- BBC2 - educated audience (minority). Direct competatives with channel 4.
- ITV1 - everyone (mass broadcasting). Direct competatives with BBC1.
- Channel 4 - Young adults/teenagers and educated adults. Direct competatives with BBC2.
- Five - everyone (mass broadcasting).
- Rare to get repeats at prime-time viewing. It is cheap as well.
- Channel 4 - USA - everybody loves Raymond.
- Five - USA - CSI. Austrailia - Neighbours.
- 'Shed' audience - get rid of kids.
- More adult viewing.
- It is 9pm technically but has shifted to 10pm.
Lara Croft - That thing!
Themes: Games, creation of Lara Croft, representation of females and power of the media.
Narrative structure: closed narrative structure, non-linear, single strand narrative structure.
Camerawork: ECU interviewee.
Fast pans/tracks.
Pans across tomb raider title.
Interview - eyeline 1/3 of the way down the screen, left or right of the screen in low angle, tilted interview.
Pan over pictures.
Whip pans.
Fast tracking shots.
Mise-en-scene: Dark face of interviewee.
Sound: Game sound in the background of interviews.
Sound effects.
Editing: Game playing in the background of the interview. This could distract the audience from the interview.
Archive material: Games.
People playing games.
Barbie footage.
Tomb raider film.
Latters to Lara Croft.
Pictures of Lara Croft.
Graphics: Lara Croft - Bold, White and capitals.
Name - Bold.
Title - smaller than name.
Thursday, September 23, 2010
BBC2 - The music biz - The marketing of Meatloaf documentary.
Power of media to influence audience behaviour.
Used as Chromakey background.
Monday, September 20, 2010
The devil made me do it documentary.
The devil made me do it part 2.
The devil made me do it part 3.
The devil made me do it part 4.
The devil made me do it part 5.
Wednesday, September 8, 2010
Documentary.
Actuality footage is 'real' footage of actual events.
John Grierson - General post office film unit in 1930's.
Defined documentary as : "the creative treatment of actuality." (or reality)
- Fully narrated - a voice over is used to convey the exposition. The voice over is used to make sence of the visuals and dominates their meanings. eg, wildlife, natural history documentaries.
- fly on the wall - Draws in the french film movement 'cinema verite'. The camera is unseen or ignored and simply records real events as they unfold.
- Mixed - combination of interview, observation, acuality and archive material and narration to advance the arguement/narrative.
- Self - flexive - when the subject of the documentary acknowledges the presence of the camera and often speaks directly to the programme maker.
- Docudrama - re-enactment of events.
- Docusoap - documentary and soap opera. A group of centeral protagonists. Eg, airport.
Structure of documentaries.
NARRATIVE STRUCTURE.
Open - loose ends which are not tied ip at the end.
Closed - there is a definate conclusion to the narrative.
It is either open or closed it cannot be both.
Linear - follows cronological order.
Non-linear - things are not in time order. eg, flashback or flashforward.
Circular - starts and finishes on the same thing.
Visuals - television is a visual medium. The programmeneeds too be visually stimulating to maintain the audience intrest.
Archive material - Street sceens, open countryside and close up of faces are all stock footage.
Interview - an interview can be held anywhere but the setting (mise-en-scene) can effect the meaning.
Vox pop (vox populis) - voice of the people. Get random people off the street ans ask them all the same questions. To get a representation of the audience.
Construction of reality.
Gatekeeping - The selection and rejection of information/content for inclusion in a media text.
editing - process is where gatekeeping happends in a documentary.
Voice over - can effect and alter meanings. It anchors the meaning of the visuals.